Cupchik, G. C. Creation, cognition, and society: an integrative perspective. Ecole des Hautes Etudes des Sciences Sociale, Paris, June, 2017.

Cupchik, G. C. Reconciling feelings and emotions in an aesthetic context. Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany, May, 2017.

Cupchik, G. C. An update on the design and imagination study. Studio Lab, Technical University of Delft. Delft, The Netherlands, May, 2017.

Cupchik, G. C. The Thinking-eye and Being-I behind Smart photography. German Photographic Society, Reiss Engelhorn Museum, Mannheim, Germany, November, 2016.

Cupchik, G. C. Toward a unified theory of emotion. University of Crete at Rethymno , Crete, Greece, June, 2016.

Cupchik, G. C. Building bridges between aesthetics and cognitive psychology. University of Sussex, England, May, 2016.

Cupchik, G. C. The role of emotion in sustainable design. University of Brighton, England, May, 2016.

Cupchik, G. C. Applying a model of emotion in a design context. Technical University of Delft, The Netherlands, November, 2015.

Cupchik, G. C. Relations between cognition and emotion in neuroscience models of aesthetic reception. Third Brazilian Meeting on Brain and Cognition. São Paulo, Brazil, October, 2015.

Cupchik, G. C. Understanding adoration and admiration within a unified emotions theory.
Free University of Berlin, Berlin, Germany, October, 2012.

Cupchik, G. C. How emotions shape aesthetic and entertainment experiences. Studio Lab, Technical University of Delft. Delft, The Netherlands, October, 2012.

Two lectures, with variations, delivered to four universities in China, April, 2012.

1. Action and Reaction: The Two Faces of Emotion [hereafter, A&R]
2. From Surface to Depth in Aesthetic Experience [hereafter, S&D]

April 25th, Hangzhou Normal University, Hangzhou, S&D
April 24th, Hangzhou Normal University, Hangzhou, A&R

April 23th, Xuzhou Normal University, Xuzhou, S&D
April 23rd, Xuzhou Normal University, Xuzhou, A&R

April 20th, South West University, Chongqing, Keynote Address, International Sino-Canadian Salon on Aesthetic Cognition and Aesthetic Education, S&D
April 19th, South West University, Chongqing, A&R

April 17th, Nanjing University, Institute for Advanced Study in the Social Sciences, S&D
April 16th, Nanjing University, A&R

Cupchik, G. C. Under the Gaze of the Buddha: Calming Our Negative Emotions. University of Kyoto, Japan, February 2011.

Cupchik, G. C. Contemporary research trends in empirical aesthetics: Toward an aesthetics of the emotions. Carls Keio University, Tokyo, Japan, February, 2011.
Cupchik, G. C. Does G-d have an address in the brain? –A new light on religiously elevated emotions in General Emotions Theory. Carls Keio University, Tokyo, Japan, February, 2011.

Cupchik, G. C. The digitized self in the age of the internet: What would Arnheim and McLuhan have to say about this? Arnheim Award Address, American Psychological Association, San Diego, CA, August, 2010.

Cupchik, G. C. Revisiting the meaning of “empirical” in our society’s name: What would Goethe have to say about it? Congress of the International Society for the Empirical Study of Literature, Utrecht, The Netherlands, July, 2010.

Cupchik, G. C. Finding yourself in your work and the world within yourself. Autonomous University of Barcelona, Barcelona, Spain, May, 2010.

Cupchik, G. C. I am, therefore I think, act, and express both in life and in art. Art and Identity Symposium: Challenging philosophical and psychological perspectives, Copenhagen, Denmark, May, 2010.

Cupchik, G. C. How emotion shapes aesthetic and entertainment experiences. Tel Aviv University, April, 2010.

Cupchik, G. C. Toward a general theory of emotion. Tel Aviv University, April, 2010.

Cupchik, G. C. The role of emotion in the Entertainment = Emotion formula. Entertainment = Emotion conference, Benasque, Spain, November, 2009.

Cupchik, G. C., Cranis, M., & Hilscher, M. C. Creating hybrid computer icons as symbols of self. Technical University of Delft, October, 2008.

Cupchik, G. C. Framing emotional responses to mass media. Free University of Amsterdam, October, 2008.

Cupchik, G. C. Memory for fabrics. Canadian National Institute for the Blind, October, 2006.

Cupchik, G. C. Affective priming in synaesthetic metaphors. Tel Aviv University, Tel Aviv, Israel, March, 2006.

Cupchik, G. C. Metaphor: Reconciling the two faces of embodiment. Delft University of Technology, Delft, The Netherlands, May, 2005.

Cupchik, G. C. Inside-outside: Engaged and detached ways of relating to art and life. Brock University, St. Catherines, ON, October, 2003.

Cupchik, G. C. Mental representations versus acts of representing. Social Cognition: Evolutionary and cultural perspectives. Budapest, July, 2003.

Cupchik, G. C. Meaningful feelings in graphic design. Ontario Graphic Designers Conference: Designthinkers. Toronto, October, 2002.

Cupchik, G. C. The design of emotion. Third International Conference on Design and Emotion. Loughborough University, Loughborough, UK, July, 2002.

Cupchik, G. C. Metaphor in design. Delft University of Technology, Delft, The Netherlands, June, 2002.

Cupchik, G. C. Emotion and meaning in the arts. Presidential Address. VIIth Congress of the International Society for the Empirical Study of Literature, Toronto, August, 2000.

Cupchik, G. C. Emotion and industrial design: Reconciling meanings and feelings. First International Conference on Design and Emotion. Delft University of Technology, Delft, The Netherlands, November, 1999.

Cupchik, G. C. The role of cognition and emotion in the reception of literature, art, and advertising. The Porter Institute for Poetics and Semiotics, Tel Aviv University, Tel Aviv, Israel, February, 1999.

Cupchik, G. C. Emotion in art and design revisited. Holon School of Design, Tel Aviv, Israel, February, 1999.

Cupchik, G. C. Imagined and real spaces: The narrative of dasein. Otto Von Guericke University, Magdeburg, Germany, May, 1998.

Cupchik, G. C. The mind and body in search of entertainment. “Only Entertainment” Conference, Hannover, Germany, May, 1998.
Cupchik, G. C. Emergent meaning in the arts. Conference on Emotion, Creativity and Art. Perm, Russia, September, 1997.

Cupchik, G. C. The thinking-eye and the being-I in psychology and the arts. Presidential Address, Division 10, American Psychological Association, August, 1997.

Cupchik, G. C. Emotion in art and design. Holon School of Design, Tel Aviv, Israel, February, 1997.

Cupchik, G. C. Receiving and generating meaning in everyday and aesthetic processing. American Psychological Association, Division 10, August, 1995.

Cupchik, G. C. Aesthetic and everyday processing of information. Hebrew University, Department of Psychology, April, 1995.

Cupchik, G.C. The role of text in aesthetic communication. Dutch Museum Authority, Amsterdam, February, 1994.

Cupchik, G. C. Strategies in aesthetics research. Technical University of Delft (The Netherlands), Department of Industrial Design Engineering, February, 1994.

Cupchik, G.C. Gender differences in aesthetic processing. Technical University of Delft (The Netherlands), Department of Industrial Design Engineering, February, 1994.

Cupchik, G. C. Scientific aesthetics: Bridging science and the humanities. Technical University of Delft (The Netherlands), Faculty of Industrial Design Engineering, February, 1994.

Cupchik, G. C. The empirical narrative. Congress of the International Association for Empirical Aesthetics, Berlin, August, 1992.

Cupchik, G. C. The scientific study of art. Bishops University, Lennoxville, Quebec, November, 1992.

Cupchik, G. C. How teaching scientific aesthetics fosters creativity in the visual arts. American Psychological Association, San Francisco, August, 1991.

Cupchik, G. C. The search for meaning in art. University of Illinois, Department of Art and Design, February, 1991.

Cupchik, G. C. The roots of aesthetic process. Congress of the International Association for Empirical Aesthetics, Budapest, August, 1990.

Cupchik, G. C. Psychology and Art: Sensory-motor loops. Wilfred Laurier University, Kitchener, Ontario, March, 1990.

Cupchik, G. C. Reconciling theories of emotion. Psychology Department, Hebrew University, Jerusalem, December, 1989.

Cupchik, G. C. Empirical approaches to aesthetics. Art Department, Michigan State University, Lansing Michigan, May, 1989.

Cupchik, G. C. The psychological approach to artistic process. University of Pecs, Hungary, Department of Psychology, March, 1989.

Cupchik, G. C. The search for meaning in art. Hebrew University, Department of Psychology, Jerusalem, December, 1987.

Cupchik, G. C. A decade after Berlyne: the growth of the Berlynian viewpoint. APA convention, Division 10, Psychology and the Arts, invited address, Washington, DC, August, 1986.

Cupchik, G. C. Aesthetic perception and emotional response in the visual arts. Hebrew University, Jerusalem, Department of Psychology, April, 1981.

Cupchik, G. C. Théorie de l’information et perception ésthètique. Université de la Sorbonne, Paris, November, 1980.