University of Toronto at Scarborough 2000/2001 Calendar
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Drama 2000/2001

The drama courses have been devised to serve students who intend to major in Drama, students who intend to specialize in Visual and Performing Arts, and students who have a casual interest in drama and theatre.

We offer two types of courses which complement each other: theoretical and practical. The theoretical courses are in the history of theatre and in special aspects of theatre history and theory. In the practical courses, students become acquainted with all aspects of theatre production in studio situations, both as actors and technicians. Participation in public productions at the College is strongly encouraged.

MAJOR PROGRAMME IN DRAMA

Supervisor: P. Sperdakos (287-7188)

Students must complete seven full-course equivalents as follows:

1. VPAA31Y An Introduction to the Practical Elements of Theatre

VPAB31Y Intermediate Workshop in Theatre Performance

2. VPAB20H The History of Theatre I: From Classical Antiquity to the Elizabethan and Jacobean Theatre

VPAB21H The History of Theatre II: From the Restoration Theatre to the Theatre of the First Part of the 19th Century
VPAB22H The History of Theatre III: Modern Theatre
3. VPAB24H Theatre in Canada
VPAB25H Introduction to Asian Theatrical Traditions
4. ENGB11Y Twentieth Century Drama
5. Two full-course equivalents in Drama, one of which must be at the C- or D-level. Students may substitute VPAB04H and VPAB05H, or other courses outside of Drama, but must first obtain written permission from the Supervisor of Studies.

MINOR PROGRAMME IN DRAMA

Supervisor: P. Sperdakos (287-7188)

Students must complete four full-course equivalents as follows:

1. VPAA31Y An Introduction to the Practical Elements of Theatre

2. At least two of VPAB20H-VPAB25H

3. One full-course equivalent from the C- or D-level. Students wishing to take VPAC31H must first take VPAB31Y.

VPAA31Y3 An Introduction to the Practical Elements of Theatre

An introductory practical course, concentrating on the non-literary aspects of theatre.

In the workshops the student will study basic acting techniques (including basic training in voice, movement, script interpretation, building a character), and will also be introduced to such technical skills as lighting, sound, makeup, set construction and painting. In addition, the student will be expected to participate in at least one production per term.

Two two-hour workshops per week, plus additional time as necessary for rehearsals and/or production meetings, etc. Careful preparation for each workshop is essential.

Exclusion: DRM200

T.B.A. / P. Sperdakos

VPAA39H3 Experiencing the Live Theatre I

Discovering the special nature of various forms of theatrical performance.

Students will attend a number of productions and learn the principles of writing a critical review; they are introduced to the resources necessary to the production of a play.

T.B.A.

VPAB21H3 The History of Theatre II: From the Golden Age in Spain to Napoleon

A survey of staging practices, acting styles, and architectural traditions in the major theatres of Europe. The study of the golden period of theatre in Spain will be followed by an examination of British theatre from 1642 till the end of the 18th century, the theatre in France under Moliere and the great neoclassical dramatists, as well as theatre in Northern and Eastern Europe. Also studied will be the early theatre in North America.

The principal text will be Oscar Brockett's History of the Theatre. Other texts will be announced. The course will be taught in lectures and seminars.

Exclusion: DRM264

T.B.A.

VPAB22H3 The History of Theatre III: Modern Theatre

The study of theatre in Europe and North America from the beginning of the 19th century to the 1960's.

Major topics of concentration will include the emergence of realism in the theatre, naturalism, and anti-realist trends on stage. Also studied will be Expressionistic theatre, Dadaism, Futurism, Surrealism, Theatre of the Absurd, and other forms of mainstream and avantgarde contemporary theatre. Attention will also be given to "lesser" theatrical forms such as vaudeville, burlesque, and circus.

The principal text will be Oscar Brockett's History of the Theatre. Other texts will be announced. The course will be taught in lectures and seminars.

Exclusions: (VPAB23H), DRM264, DRM266

T.B.A.

VPAB25H3 Introduction to Asian Theatrical Traditions

The students will be introduced to some of the major theatrical traditions of Asia.

The principles of Chinese theatre from the Yuan and Ming Dynasties, and of the Ch'ing theatre (Beijing Opera) will be surveyed, as well as the three major Japanese forms of theatre, Noh, Kabuki, and Bunraku. The wayang puppet theatre of Indonesia will also be studied. Other topics will include the great Sanskrit plays of India, and forms of Indian dance theatre, such as the kathakali.

Students will read translations of plays and study some of the theoretical aspects of Oriental theatre in lectures and seminars. Recorded and visual materials will be used extensively.

T.B.A.

VPAB31Y3 Intermediate Workshop in Theatre Performance

This course is designed to enable advanced students to concentrate on problems related to the staging of plays in studio situations.

A portion of the course is devoted to work with TV-videotape equipment. A minimum of three hours weekly in formal groups, and additional time in rehearsal, will be devoted to advanced exercises in acting skills, scene work, and work on productions.

Exclusions: DRM300, (VPAC30Y)

Prerequisite: VPAA31Y

P. Sperdakos

VPAB33Y3 Technical Production

An introduction to the fundamentals of the technical production process.

Students will study the essentials of production and stage management, theatre management, set building and painting, stage lighting, and sound design. As part of the course, students will also assume responsibility for some of the technical and production positions available in college productions.

Exclusion: DRM254Y

Pre- or Co-requisites: VPAA31Y (VPAB30Y)

K. Wright

VPAB39H3 Experiencing the Live Theatre II

Discovering the relationship of plays and playhouses.

Students will attend five or six productions, write reviews and consider the various physical spaces in which drama may be performed.

Prerequisite: VPAA39H or permission of the instructor

T.B.A.

VPAC31H3 Advanced Workshop: Performance and Directing

Detailed textual analysis, in-depth scene study and elements of directing for the stage in a studio setting. Detailed study of a play which will be produced in the second term.

The course will include work on theatrical technique in areas such as period style, masks, improvisation, etc.

Students are expected to participate in a major production generated by the class, as well as on specific assignments related to the work in the course. They will also work on projects according to their individual area of interest.

Exclusion: DRM400

Prerequisites: VPAB31Y (VPAC30Y)

T.B.A.

VPAC33Y3 The Victorian Theatre

An examination of the theatre and the drama in English from 1830 to 1880.

The course traces the movement from romanticism towards realism and the adoption of many of the conventions of twentieth-century theatre.

Byron, Boucicault, Tom Taylor, Tom Robertson, David Belasco, Pinero, and H.A. Jones. The relationship of the drama to the developing modern playhouse, the introduction of new technologies, the changing social attitudes towards theatre, the growth of the Music Hall, and the influence of French and German drama in this period are also assessed.

Prerequisites: Three full-course equivalents in drama or English including one of VPAB22H or ENGB11Y or ENGC33Y

A. Patenall

VPAD20,VPAD21-Y3

VPAD25,VPAD26-H3 Supervised Reading Courses

An advanced reading course for Drama students.

Students wishing to take any of these courses should consult with the Supervisor of Studies who will arrange with the student a reading list and set the specific requirements for the course.

The emphasis in this course will be on advanced individual projects exploring specific areas of the history of the theatre and/or dramatic literature. Proposals by students for specific projects will be assessed by the Supervisor of Studies in consultation with other members of faculty.

Prerequisite: One B-level full-course equivalent in Drama, and permission of the instructor.

Exclusion: DRM390

Members of Faculty

VPAD31H3 Supervised Performance

The practical study of major theatrical productions.

Students will prepare for a public theatrical performance within the College. Students taking the course for credit will be required to work on design projects, work as directors, or as production stage managers, and will submit written work at the end of the course.

Prerequisites for credit students: VPAC31H and permission of the instructor

T.B.A.

DRAMA COURSES NOT OFFERED 2000/2001

VPAB20H3 The History of Theatre I: From Classical Antiquity to the Renaissance

Exclusions: DRM260, DRM262

VPAB24H3 Theatre in Canada

Exclusion: DRM268

VPAB26H3 Women in the Theatre

VPAB28Y3 The Art and Nature of Comedy

Full Listing of Courses Not Offered


University of Toronto at Scarborough 2000/2001 Calendar
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