Selected Publications
	Cupchik, G.C., Vartanian, O., Crawley, A. & Mikulis, D.J. (2009). Viewing artworks: Contributions of cognitive control and perceptual facilitation to aesthetic response. Brain and Cognition, 70, 84-91. Cupchik, G.C. (2002). The evolution of psychical distance as an aesthetic concept. Culture and Psychology, 8(2), 155-188. Cupchik, G.C. (2001). Constructivist realism: An ontology that encompasses positivist and constructivist approaches to the social sciences. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research [On-line Journal], 2(1). Cupchik, G.C., Leonard, G. & Irvine-Kopetski, D. (1998). Advertisements: Multileveled in word and image and in the mind of the beholder. Empirical Studies of the Arts, 16(2), 115-135. Cupchik, G.C., Spiegel, S. & Shereck, L. (1996). Unity in the diversity of aesthetic response. Visual Arts Research, 22, 1-10. Cupchik, G.C., Shereck, L. & Spiegel, S. (1994). The effects of textual information on artistic communication. Visual Arts Research, 20, 62-78. Cupchik, G.C. (1994). Emotion in aesthetics: Reactive and reflective models. Poetics, 23, 177-188. Cupchik, G.C. (1993). Component and relational processing in aesthetics. Poetics, 22, 171-183. Cupchik, G.C. (1992). From perception to production: A multi-level analysis of the aesthetic process. In G.C. Cupchik and J. Laszlo (Eds.)., Emerging visions of the aesthetic process: Psychology, Semiology, Philosophy (pp. 83-99). New York: Cambridge University Press. Cupchik, G.C. & Gebotys, R.J. (1988a). The search for meaning in art: Interpretative styles and judgments of quality. Visual Arts Research, 14, 38-50. Cupchik, G.C. & Gebotys, R.J. (1988b). The experience of time, pleasure, and interest during aesthetic episodes. Empirical Studies of the Arts, 6, 1-12. Cupchik, G.C. (1988). The legacy of Daniel E. Berlyne. Empirical Studies of the Arts, 6, 171-186. Cupchik, G.C. (1986). A decade after Berlyne: New directions in experimental aesthetics. Poetics, 15, 354-369. Cupchik G.C. & Berlyne, D.E. (1979). The perception of collative properties in visual stimuli. Scandinavian Journal of Psychology, 20, 93-104. Cupchik, G.C. (1974). An experimental investigation of perceptual and stylistic dimensions of paintings suggested by art history. In D. E. Berlyne (Ed.)., Studies in the New Experimental Aesthetics: Steps toward an objective psychology of aesthetic appreciation (pp. 235-257). Washington: Hemisphere. Home
This webpage is maintained by Michelle Hilscher hilscher@utsc.utoronto.ca Last modified: May 28, 2010 © 2010 University of Toronto at Scarborough. All rights reserved.