Refereed Publications

Prince, J. B., Vuvan, D. T., Schmuckler, M. A., & Scott-Clark, T. T. (2015). Tonal priming is resistant to changes in pitch height. Attention, Perception, & Psychophysics, 77, 2011-2020.

Vuvan, D. T., Podolak, O. M., & Schmuckler, M. A. (2014). Memory for musical tones: The impact of tonality and the creation of false memories. Frontiers in Auditory Cognitive Neuroscience, 5, 582.

Vuvan, D. T., Prince, J. B., & Schmuckler, M. A. (2011). Probing the minor tonal hierarchy. Music Perception, 28, 461-472.
​
Vuvan, D. T., & Schmuckler, M. A. (2011). Tonal hierarchy representations in auditory imagery. Memory & Cognition, 39, 477-490
​
Schmuckler, M. A. (2010). Melodic contour similarity using folk melodies. Music Perception, 28, 169 – 193.
​
Prince, J. B., Schmuckler, M. A., & Thomspon, W. F. (2009). Cross-modal perception of melodic contours. Canadian Acoustics, 37, 35 – 49.
​
Prince, J. B., Schmuckler, M. A., & Thompson, W. F. (2009). The effect of task and pitch structure on pitch-time interactions in music. Memory & Cognition, 37, 369 – 381.
​
Prince, J. B., Thompson, W. F., & Schmuckler, M. A. (2009). Pitch and time, tonality and meter: How do musical dimensions combine? Journal of Experimental Psychology: Human Perception and Performance, 35, 1598 – 1617.
​
Smith, N. A., & Schmuckler, M. A. (2008). Dial A440 for absolute pitch: Absolute pitch memory by non-absolute pitch possessors. Journal of the Acoustical Society of America, 123, EL77-84.
​
Schmuckler, M. A. (2008). Review of Sweet anticipation: Music and the psychology of expectation. Philosophical Psychology, 21, 137-142.
​
Schmuckler, M. A., & Tomovski, R. (2005). Perceptual tests of musical key-finding. Journal of Experimental Psychology: Human Perception and Performance, 31, 1124-1149.
​
Smith, N. A., & Schmuckler, M. A. (2004). The perception of tonal structure through the differentiation and organization of pitches. Journal of Experimental Psychology: Human Perception and Performance, 30, 268-286.
​
Schmuckler, M. A. (1999). Testing models of melodic contour similarity. Music Perception, 16, 295-326
​
Chiappe, P., & Schmuckler, M. A. (1997). Phrasing influences the recognition of melodies. Psychological Bulletin and Review, 4, 254-259.
​
Schmuckler, M. A. (1997). Expectancy effects in memory for melodies. Canadian Journal of Experimental Psychology, 51, 292-306.
​
Schmuckler, M. A. (1997). Musical perception and cognition: An introduction. Canadian Journal of Experimental Psychology, 51, 265-267.
​
Schmuckler, M. A., & Bosman, E. L. (1997). Interkey timing in piano performance. Canadian Journal of Experimental Psychology, 51, 99-111.
​
Schmuckler, M. A., & Boltz, M. G. (1994). Harmonic and rhythmic influences on musical expectancy. Perception & Psychophysics, 56, 313-325.
​
Gilden, D. L., Schmuckler, M. A., & Clayton, K. (1993). The perception of natural contour. Psychological Review, 100, 460-478.
​
Schmuckler, M. A., & Gilden, D. L. (1993). Auditory perception of fractal contours. Journal of Experimental Psychology: Human Perception and Performance, 19, 641-660.
​
Schmuckler, M. A. (1990). The performance of global expectations. Psychomusicology, 9, 122-147.
​
Schmuckler, M. A. (1989). Expectation in music: Investigation of melodic and harmonic processes. Music Perception, 7, 109-150.
​
Krumhansl, C. L., & Schmuckler, M. A. (1986). The Petroushka chord: A perceptual investigation. Music Perception, 4, 153-184.
​
Pastore, R. E., Schmuckler, M. A., Rosenblum, L., & Szczesiul, R. (1983). Duplex perception with musical stimuli. Perception & Psychophysics, 33, 469-474.

Books & Book Chapters

Schmuckler, M. A. (2016). Tonality and contour in melodic processing. In S. Hallam, I. Cross, & M. Thaut (Eds.), The Oxford Handbook of Music Psychology (pp.140-165). Oxford, UK: Oxford University Press.

Schmuckler, M. A. (2004). Pitch and pitch structures. In J. Neuhoff (Ed.), Ecological psychoacoustics (pp. 271-315). San Diego, CA: Elsevier Science.

Smith, N. A., & Schmuckler, M. A. (2000). Pitch-distributional effects on the perception of tonality. In C. Woods, B. B. Luck, R. Brochard, S. A. O’Neil, & J. A. Sloboda (Eds.), Proceedings of the Sixth International Conference on Music Perception and Cognition. Keele, Staffordshire, UK: Department of Psychology. CD-ROM.